Joel
Stafford has
taught the five-string banjo for fifteen years
and
has been playing for over thirty years.
He has performed as a solo
and with many bands during this time…
The Stowaways
In addition to traditional and neo-traditional styles such as clawhammer and bluegrass, for the banjo,
beginning lessons for jawharp, mandolin and ukulele are also available.
Based in San Francisco, Joel can be reached
by telephone at (415) 255-9548 or
by email at kontingo@yahoo.com
San Francisco has been a home to many professional and
amateur banjoists over the years. Lotta
Crabtree came to SF from NYC in 1853, at the age of six, and learned to play
the banjo as a teenager from the famed minstrel, Jake Wallace, while staying in
Grass Valley. Tom Briggs, renowned on
the East Coast, came West to tour the Gold Camps, caught Typhoid fever and was
buried in San Francisco. In 1865, Lotta took her banjo back to NYC and hit the
big time on Broadway, initiating a banjo craze among young women there. That
same year Sam Clemens arrived in SF. Unsuccessful as a prospector, he had begun
to make a name for himself as a writer in the Nevada Territory. In his youth he had picked up some licks
from his sister and was known to serenade objects of his affection while he
strummed the banjo. He wrote the following while living in San Francisco.
“The piano may
do
for love-sick
girls who lace themselves to skeletons,
and lunch on
chalk, pickles, and slate pencils.
But give me the
banjo.
Gottschalk
compared to Sam Pride or Charley Rhoades,
Is as a Dashaway
Cocktail to a hot whisky punch.
When you want
genuine music--
music that will
come right home to you like a bad quarter,
suffuse your
system like strychnine whisky,
go right through
you like Brandeth's pills,
ramify your
whole constitution like the measles,
and break out on
your hide like the pin-feather pimples on a pickled goose--
when you want
all this, just smash your piano,
and invoke the
glory-beaming banjo!"
Mark Twain,
S.F. Dramatic
Chronicle,
1865